The biggest thing that has always stopped me from being successful as a writer is my inability to produce something when I don’t really feel inspired. When it comes to music, I have no idea how some of these people get themselves fired up to write about albums every single week when most music isn’t all that great. My laziness and inability to pretend to like things means that just getting me to throw a post together is something of an accomplishment, and I use it as a marker of success if anything is able to get me to care enough to write. Cold Beat is one of the only bands that consistently makes me want to throw a shout into the internet echo chamber in the hopes that someone will hear it.
It is difficult to discuss Hannah Lew’s band and not have it be through the lens of how underappreciated they are — I don’t even say “underrated” because they aren’t even rated. Genuinely no one talks about this band other than me. I might actually be their biggest fan, and maybe I should give up and accept that they just don’t appeal to other listeners because they’re all worse at appreciating music than I am. Their new song “Prism” makes me want to keep fighting, though.
This is from their upcoming album, Mother, written during Lew’s pregnancy, and it feels like a strong continuation from their previous album, Chaos By Invitation, which I lauded to a largely indifferent pseudo-audience. With few lyrics, there isn’t much to grab onto in terms of themes, but musically it is a distinct work from the band, who have really carved out their own space in all of these 80s synth pop acts. Cold Beat is still really into purposeful ambiguity — the lyrics aren’t telling the listener anything, but I still feel like there is a clear emotion and meaning to it and I’m always one listen away from figuring it out. Artists who can pull off that trick tend to be among my favorites, and it’s something Lew has shown a knack for even going back to her previous band, Grass Widow.
The ambiguity is part of what makes “Prism” addictive, along with its multiple repeating motorik grooves that are joined by some swirly synths that give it a celestial quality. The band is saying this album is trying to describe earth to a newborn, and the sounds here capture the ground and the sky, along with some of the wonders of looking up into space. Once again, Cold Beat have made a song that isn’t necessarily complicated on the surface and put in so many layers that keep revealing themselves. This is the work of a band in prime form, and Mother is instantly my most anticipated album of 2020.
4 thoughts on “Cold Beat’s “Prism” is the Early Song of the Decade”
Just found it on Spotify with my Discover “Weakly” ;O)
Would you call it shoegazing? Anyway, I really like it. So now we are 2! :O)
I am guessing it was recommded to me because I liked “Julia” by Lowtide. Have a listen if you don’t know it.
I usually think of them as synth pop now, but they kind of defy categorization. They have a couple new songs (from an upcoming album) that are great if you haven’t heard them yet.
I will do, thanks. Very nice writing, by the way!