An album like Ex Hex’s latest, It’s Real, requires very deep thought and consideration. To truly understand it, one must have a firm grasp on music theory and history, not to mention the ability to understand the sophisticated layers of meaning within every note the band plays. With all that said, I’ve put a lot of thought into this and feel that I’m up to the task of explaining this album’s unique appeal: it it has rock and roll songs that sound good, and I enjoy listening to them.
This is the second album for Mary Timony’s project, following 2014’s Rips, and there is something weirdly satisfying about how little the band has changed between albums. It’s Real scoffs at the notion of bands “making a statement” or “breaking through” and is content to simply entertain on its own terms without necessarily sparking an array of thinkpieces and discussion. While I’m certainly someone who enjoys albums that require some effort to get into, there is also a place for an album like this that only asks you to turn the volume up and your brain off.
There isn’t really a point in analyzing the songs, which are all in a similar vein of having catchy guitar riffs, melodies, and lyrics that focus on basic themes of having a good time with some slight psychedelic undertones, mostly from Timony’s patented head-in-the-clouds singing. Betsy Wright also takes lead on a couple of the strongest songs, the tough rocker “Rainbow Shiner” and the breezier “Radiate.” I truly intend to be complimentary when I say that this is not music that is really improved upon by intense lyrical breakdowns and deconstructions of its sound. Listening to it does not make you desire to read about it, which I suppose calls into question this entire exercise.
What is maybe worth analyzing is how It’s Real functions as an argument in favor of musicians with experience. Timony has been making indie rock for over 25 years now and this album has an effortless quality where it feels like she’s just writing great pop songs in her sleep. She has already done everything that today’s young indie rock bands are trying to do — she had her great angsty rock albums, her more sophisticated “break-out” albums, and her alienating artsy albums. Now with all that experience behind her, she doesn’t feel a need to impress anyone or prove herself, and I think that energy is part of what makes Ex Hex a refreshing band right now. It’s Real has strengthened her case as the indie rock GOAT, not that she cares about trying to convince anyone.