Every once in awhile, I come across an album that almost feels algorithmically generated to appeal to me. Anemone’s Beat My Distance combines krautrock, French pop, breezy psychedelia, and pretty much every other style of music I enjoy into a very pleasant package. It’s a little hard to tell if it’s actually “good” or if it just panders to me, but these days I don’t see much reason to draw a distinction. If I want to listen to it, it’s probably great.
The twangy guitars and bright synth parts, along with Chloe Soldevila’s airy vocals, make Beat My Distance sound like that idyllic version of the 60s that people have built up in their mind, where everyone walked around outside on sunny days and handed out flowers to each other while definitely not being racist. The overall focus on good vibes and lack of any rough edges can sometimes lead to the album feeling a bit naïve and absent of personality. These are flaws that I find easy to look past when the songs are this enjoyable to listen to, and this album provides a nice escape from the real world and its issues.
“Sunshine (Back to the Start”) is the clear highlight here; its bouncy rhythms, instrumental outro, and simple lyrics all add up to one of the more addictive songs of the year so far. Its template is followed by a lot of the songs on this album, which is all about mining familiar sounds and lyrical themes, creating a sense of nostalgia in the music. This could easily backfire (and many listeners might be turned off by the lack of originality), but Soldevila’s lack of cynicism and knowledge of exactly what her music is help me give this a high grade, even if she might have peeked at a neighbor’s paper a couple of times.