In what is becoming a disturbing trend, I’m in love with a band that doesn’t exist anymore. Australia’s Infinite Void have already broken up prior to the release of their second full-length, Endless Waves, which casts a bit of a pall over the proceedings. On the other hand, there is some value in breaking up at the top of your game. Endless Waves is such a perfect distillation of this band’s style and such a strong set of songs start to finish that it would have proved difficult to improve upon if they tried.
Out of all the subjective elements of music, maybe the biggest one is what makes a great rock song. Lately, I’ve been really into bands that sound a lot like Infinite Void: aggressive yet ethereal with a bit of a goth tinge coming from the rumbling bass lines and reverbed guitar. Alicia Sayes’ vocals sound more withdrawn and distant, which leads to the band’s distinct sound that falls somewhere in between punk and dream pop.
The lyrics don’t feel like a major emphasis of this album that is really about the sound, but they focus on the types of motifs that fit music that is dark and dreamy — for example, the opening song “Dark Dreams” is about dark dreams. “Face in the Window” is another highlight, and the titular image is one that is a bit unsettling and creepy. That leads into an instrumental, “The Long Night,” followed by “Reflection,” which hypnotizes with its spacious sound and rolling bass. It’s one of my favorite sequences on an album this year.
It can be a bit tough to convince anyone to listen to an album by a band that is already broken up — it can feel like you’re inviting people to a party that already happened. And there is the sad reality that other music writers won’t be incentivized to write about or promote this album, which is going to keep it obscure. It’s too bad, because none of that has any impact on the actual music, which is so solidly written, thoughtfully sequenced, and has all these compelling tensions in it. Infinite Void deserve a wider cult following that they may never get.