Most bands make “songs” and “albums.” SubRosa create entire universes. The metal band’s third full length, For This We Fought the Battle of Ages, continues down the path set by their earlier work, with a sound that is massive and unmatched in scale. Their signature combination of doom metal guitars and violins is otherworldly in a literal sense — when I listen to this band, I feel like I’m in a fantasy world, far from earth.
But while SubRosa often sounds not-of-this-world, their music speaks to what is happening on this planet right now. Inspired by the Russian dystopian novel, “We,” the album’s long, winding pieces grapple with major themes of free will, identity, and the intersection of suffering and happiness. The album closer, “Troubled Cells,” is an explicit statement by Rebecca Vernon on the plight of LGBTQI people in her Mormon church, but it’s done in an allegorical way that is nuanced and speaks widely to other disenfranchised people. “Wound of the Warden” is told from the point of view of a puppet-master, who sneers at his underlings that believe their lives and choices matter — it can be interpreted as a religious fable, or as a commentary on government control and surveillance.
This is a grim album, with lyrics that are every bit as crushing as its heaviest guitar riffs. But amid the chaos and doom, SubRosa find moments of humanity and beauty, and For This We Fought the Battle of Ages strikes a surprisingly optimistic message: that the world is harsh and unforgiving, and the people in it are stronger because of it.