I’ve decided to start giving out a Trish Keenan Memorial Trophy for the artist each year who comes closest to emulating the Broadcast singer. This year’s goes to Eerie Wanda frontwoman Marina Tadic, who reminds me of Trish with her gentle psychedelic songs that strike a perfect balance between being charming and weird (or, I suppose, eerie).
Eerie Wanda’s actual sound isn’t much like Broadcast’s; there are no electronics, with songs always built off Tadic’s guitar and some light percussion and bass. The arrangements are simple, meant to showcase Tadic’s vocals while providing a tranquil, daydreamy vibe that evokes the 60s.
Tadic’s voice is the real defining instrument here: it has a warmth and dreaminess to it, but also somehow always sounds off-kilter and distant, which gives Hum its underlying strangeness that makes it stand out from other guitar pop albums this year.