The Men: “Open Your Heart” (or: how derivative is too derivative?)

For fans of rock music, Brooklyn foursome The Men’s new album Open Your Heart has been one of the most anticipated albums of the year. The band plays the kind of no-frills straight up rock that I’ve been complaining about not hearing in seemingly every post on this blog, with lots of noise and little in the way of pretension or cutesiness. With the album riding a wave of strong reviews and hype, I listened to it hoping to finally be blown away and to hear the type of rock music that I’ve been craving for so long.

In a way, Open Your Heart does deliver that, as nobody can complain that the band’s sound isn’t noisy or energetic enough. Yet, I hate this album, in the way that I only can when something infringes on what I believe are the basic tenets of great rock music and gets rewarded for it anyways.

The problem with The Men is that everything they do is completely derivative. Open Your Heart is being praised for being a diverse album with songs of many different genres, but in reality it’s more like songs of many different bands — namely more innovative, talented bands that The Men shamelessly pilfer in creating this album. On the title track they rip off The Replacements and especially the Buzzcocks’ “Ever Fallen in Love.” On “Ex-Dreams” they rip off Sonic Youth. On “Turn it Around” they rip off The Buzzcocks again. On “Presence” they rip off Spacemen 3. Literally every song on this album is just a copy of a better song by a better band.

In this way, The Men remind me a lot of Yuck, another band that succeeded last year by borrowing a lot of sounds from the past. However, I like Yuck because they put their own original spin on the bands they’re influenced by. They may have been guilty of sounding like Dinosaur Jr. and Sonic Youth, but they still had an identifiable aesthetic that was their own thanks to their youthful lyrics and enthusiasm. More importantly, Yuck were also able to write good, melodic songs, which allowed them to carve out their own identity as well.

The Men don’t do any of that, and that is what I find lacking most in Open Your Heart. It isn’t just that “Ex-Dreams” borrows from Sonic Youth, it’s that it sounds exactly like Sonic Youth, right down to replicating Thurston Moore’s semi-spoken vocal style, and brings nothing else to the table besides that. It goes beyond merely being influenced by Sonic Youth — it completely misappropriates their aesthetic.

In this sense, The Men’s unremarkable band name is oddly fitting. On Open Your Heart, they sound completely anonymous. They’re so focused on emulating other bands that they never form their own identity. The music is loud and often fast-paced in the way that we associate with rock music, but it’s completely devoid of another crucial rock ingredient, which is personality. It doesn’t sound like the work of four musicians who have a purpose in what they’re doing; it sounds like the work of ciphers who have filtered through a list of influences and are now transmitting them in a less interesting way.

I imagine this stuff doesn’t matter for most people. They’ll enjoy Open Your Heart because they like Sonic Youth or the Buzzcocks and want to hear more music that sounds like them. Personally, few things bother me more than the kind of music on Open Your Heart, the kind that presents itself as exciting and daring when in reality it’s just a shallow retread of better music that has already been made. It makes me feel even more angry when bands like this get critical acclaim and make money while truly original, interesting bands go unnoticed. Whether they intended it or not, The Men are basically profiting on the love people have for bands like Sonic Youth, The Buzzcocks, and The Replacements, and something about that makes me feel a bit dirty.

In 2012, it’s hard for any band to be completely original, but there is a way to have clear influences in your sound without completely copying someone else. On Open Your Heart, The Men are content to merely replicate bands they like instead of trying to sound like themselves, and the result is an unoriginal album that sounds more like the set of a cover band than one that writes their own music. I’d rather just listen to some songs by previous great rock bands on shuffle than hear this band’s mediocre take on them.

Author: joshe24

I'm a wannabe writer aspiring to be an aspiring writer.

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