Infinite Void’s “Endless Waves” is a Perfect Farewell

In what is becoming a disturbing trend, I’m in love with a band that doesn’t exist anymore. Australia’s Infinite Void have already broken up prior to the release of their second full-length, Endless Waves, which casts a bit of a pall over the proceedings. On the other hand, there is some value in breaking up at the top of your game. Endless Waves is such a perfect distillation of this band’s style and such a strong set of songs start to finish that it would have proved difficult to improve upon if they tried.

Out of all the subjective elements of music, maybe the biggest one is what makes a great rock song. Lately, I’ve been really into bands that sound a lot like Infinite Void: aggressive yet ethereal with a bit of a goth tinge coming from the rumbling bass lines and reverbed guitar. Alicia Sayes’ vocals sound more withdrawn and distant, which leads to the band’s distinct sound that falls somewhere in between punk and dream pop.

The lyrics don’t feel like a major emphasis of this album that is really about the sound, but they focus on the types of motifs that fit music that is dark and dreamy — for example, the opening song “Dark Dreams” is about dark dreams. “Face in the Window” is another highlight, and the titular image is one that is a bit unsettling and creepy. That leads into an instrumental, “The Long Night,” followed by “Reflection,” which hypnotizes with its spacious sound and rolling bass. It’s one of my favorite sequences on an album this year.

It can be a bit tough to convince anyone to listen to an album by a band that is already broken up — it can feel like you’re inviting people to a party that already happened. And there is the sad reality that other music writers won’t be incentivized to write about or promote this album, which is going to keep it obscure. It’s too bad, because none of that has any impact on the actual music, which is so solidly written, thoughtfully sequenced, and has all these compelling tensions in it. Infinite Void deserve a wider cult following that they may never get.

Baseball’s Contrarian Franchise

Despite what you might think from watching ESPN or MLB Network, the most interesting franchise in baseball is not the New York Yankees, the Boston Red Sox, the L.A. Dodgers, or the Chicago Cubs. It’s a team that plays its home games in a dingy dome stadium in front of generously 5,000-10,000 people per night, has one of the lowest payrolls in baseball, and was accused by almost everyone of “tanking” for a high draft pick just a couple months ago.

Despite the public thinking they were fielding a terrible team on purpose, the Tampa Bay Rays currently sit at 46-44 with a +13 run differential, continuing their recent trend of somehow patching together a .500 team every season with what looks like the baseball equivalent of Scotch tape or possibly gluesticks. If not for the Mariners being the luckiest baseball team in history, they would be contending for a playoff spot. The secret to their success is what makes them the most fascinating team in the league to watch: the Rays are willing to rethink every single aspect of the game if it means getting an edge.

In the old Moneyball days, it was somewhat easy for the small-budget organizations to field a winning team because other front offices didn’t know what on-base percentage was and thought the key to winning games was bunting. In today’s MLB, there are no secrets. The big market teams have stopped entrusting their decision-making to former players who don’t actually understand the game, replacing them with robotic Ivy League whizzes and baseball nerds. The odds have never been more stacked against teams like Tampa Bay or Oakland, who can’t afford to keep star players once their salaries get too high and now are left with fewer resources towards analytics than the bigger clubs.

Since simply outsmarting teams like the Red Sox and Yankees is no longer an option, the Rays have gone a different route: they think differently and weirder. In a Wall Street Journal article, a team official summed up the Rays Way: “If we occupy the wake of both the Yankees and Boston and our behavior is aligned with theirs, we’re never going to step out and pass them—ever.” The only edge the Rays have is their willingness to try anything, no matter how crazy it sounds.

So the Rays have become the contrarians of baseball, mostly through necessity. Their home park of Tropicana Field has become like a baseball laboratory, where new ideas are constantly tossed into the fire. Eyebrows first raised in the offseason, when they traded away their face of the franchise, Evan Longoria, jettisoned last year’s best player, Steven Souza Jr., and straight-up DFA’d Corey Dickerson, who was coming off what looked like a career year. This led to the accusations of tanking (and they were obviously salary-cutting moves), but they were more about changing the philosophy of the team. With the rest of the league obsessed with power hitting and launching the ball, the Rays decided to go small ball, building around their defense and pitching.

It’s worked thus far, as the Rays are a competitive team that is notably stingy at giving up runs. Most remarkably, they’ve done it while frequently using a three or even two-man starting rotation. They’ve taken to having “bullpen days,” where 3-4 pitchers go through the batting order once or twice instead of using a traditional starter. They’ve also begun using “the opener,” where one of their normally late-inning relievers starts the game, faces the team’s toughest hitters, then leaves after one or two innings to hand the ball to the “starter,” who is spared from facing that team’s best hitters three times. These are all dramatic shifts from the way every other team is run, with a five-man rotation where the starter pitches basically as long as he can every game.

The logic behind the bullpen days makes a lot of sense: relievers routinely have lower ERAs than starters and pitchers always are better the first and second times through the batting order than the third. While very good starting pitchers are still important (and the Rays have them in Chris Archer and Blake Snell), using a group of bullpen guys instead of trying to wring 150-180 innings out of a mediocre 4th or 5th starter is one of those obvious ideas backed up by data that just needed a team brave enough to try it. As always, due to their situation, the Rays are that team.

Baseball is notoriously resistant to change, which leads to widespread skepticism and even disdain whenever the Rays try these strategies. But baseball’s obsession with tradition and doing things the way they always have been done is exactly why the Rays are able to comparatively thrive despite being in the worst possible situation. And when the rest of the league catches up to them on bullpen days, like they did with infield shifts and aggressive platooning, they will have some other trick to try to stay ahead of the curve (my guess is trying to develop two-way players).

More reasonable critics of the Rays dislike the team’s cold approach and cheapness, which leads to their best players inevitably being shipped out of Tampa, often at the peak of their ability. Personally, I enjoy the team’s lack of sentimentality and borderline disrespect for their own fans. If the Rays only did things that were popular and understood, they would never be remotely competitive in the AL East. And there is something admirable about how they make their decisions with the internal conviction that they are right, even if nobody else agrees. It’s why the Rays are a fun and good baseball team, as well as a walking argument for not just aligning with the status quo.